![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3772-1024x560.jpg)
LaTurbo Avedon: Frontier Study, 2017. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3505-1024x780.jpg)
Sebastian Lütgert alias Robert Luxemburg: The Conceptual Crisis of Private property as a Crisis in Practice, 2009. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3693-1024x790.jpg)
Petra Cortright: VVEBCAM, 2007. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3667-743x1024.jpg)
Petra Cortright: VVEBCAM, 2007. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3908-1024x714.jpg)
Kristoffer Ørum: It Sings for Us of What We Might Become, 2019. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3510-1024x683.jpg)
Anna Ridler: Drawing with Sound, 2007. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3504-1024x678.jpg)
Rosemary Lee: The image is a machine, 2018. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3863-1024x683.jpg)
Sarah Schorr: Saving Screens: Temporary Tatoos and other Methods, 2019. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3943-1024x683.jpg)
ScreenShots: Desire and Automated Image. Installationsview. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3920-1024x759.jpg)
Winnie Soon: Unerasable Images, 2018-2019. Foto: Gert Skærlund Andersen.
![ScrenShot](https://kunsten.nu/wp-content/uploads/2019/03/dsc-3610-1024x630.jpg)
Michael Mandiberg: Quantified Self-Portrait: On Year Performance, 2016-2017. Foto: Gert Skærlund Andersen.