Kingsley Ifill: To be titled, 2022.
Platinum Palladium print on Awagami Atsukuchi Japanese Washi Paper in artist’s handcarved frame
28.8 x 33.7 cm (unframed)
© Eighteen and the artistThroughout the variation of mediums and processes within my practice, photography acts as the backbone, with everything else relating to it in some way. Acting as a continuous line, other mediums such as painting, printing, sculpture, and artist books, then bounce back and forth, with photography as the connection and mediator. With this exhibition, my intention is to blur this line and bring the mediums and processes closer together as one, despite their physical differences. Photography as painting as print as sculpture. The multiple dissolved into a unique object, as a nod to the singular moment in which the image within portrays, and a nod across to Antonin Artaud’s insistence that everything is the same.
Kilde: Eighteen
